Nora Webster

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Sussler, Betsy (3 November 2014). "Awards: Irish Book; Banff Mountain". Shelf Awareness . Retrieved 7 January 2022.

But I must have sat up when I came to this passage in Lavin's story "Happiness": "When Father went to hospital Mother went with him and stayed in a small hotel across the street so she could be with him all day from early to late. 'Because it was so awful for him, being in Dublin,' she said. 'You have no idea how he hated it.' Maybe I thought this would be in other books in the future – such a precise image of what had happened to us – but I never found it again. It was only there. It is in the novel I have written, Nora Webster, but it took me a long time to find a dramatic form for those words. The book came as the result of a battle between the night and the day. At night I would think of a scene that might work in the book. By the time I went to sleep I almost had it ready for the morning. In the morning, however, it did not pass the unforgiving test called the hard light of day. In Joyce Carol Oates's A Widow's Story, written after the death of her husband, she describes the efforts of her friend C. to throw an enormous dinner party for her, inviting many of her friends, to help ease the pain. "I envision," Oates writes, "a thirty-foot dining room table and at the farther end the widow placed like a leper, as far from the lovely C. as possible." Despite Oates's asking for a smaller event, C. persists, only to find of course that the friends are not free on any of the suggested nights. Oates writes: "I am beginning to realise that though C. has said that she and her husband are 'eager' to see me they are in fact dreading to see me."BEA 2015: Shortlist for the Carnegie Medals". PublishersWeekly.com. 27 May 2015 . Retrieved 7 January 2022.

Aine moves to Dublin to become a political activist. Involved in violent riots, Aine is a constant source of worry for Nora. Fiona moves to Wexford to start her teaching career. Feeling lost without her daughters Nora wonders if she is responsible for letting her family fall apart. She realizes that she didn’t give them the support they needed after Maurice’s death, but she doesn’t know what to do about it now. I wrote the first chapter of my novel Nora Webster in the spring of 2000, in the same season as I wrote the first chapter of The Master, my novel about Henry James. Both books dealt with a protagonist over four or five years. Alone in the world, both James and Nora Webster attempted to find a way out of failure or grief or loss. Although The Master required a great deal of research and Nora Webster almost none, I found The Master easier to work on, and easier to finish. Ron Rash is renowned for his writing about Appalachia, but his latest book, The Caretaker, begins ... The novelists have become characters in their own books. By the urgency of the tone, they make clear, however, that, in the aftermath of loss, nothing they can invent compares to it. And that, since they are writers, what happened needs to be written down so that it can be known and shared and understood, so that it can lose its incoherence. And so that they, in their powerlessness and helplessness, can at least still do this, can at least write down what it was like. For a decade I thought about the book at some point every day. I worked out a structure. Slowly, the character of Nora Webster herself began to emerge for me more clearly. I wanted her to be both brave and difficult, to be someone fiercely loyal to her children when there was a crisis, but oddly nonchalant in the ordinary course of events. Her sisters were afraid of her. There is a sense of her as trapped by her circumstances, in a small town.

Although Nora loves her children, she’s consumed by her grief and doesn’t give them the attention they need. The children all miss their father, but they miss Nora just as much because she shuts them out. Everyone in the family craves some normality and emotional stability, but unfortunately, things are about to get worse for the Websters. Morales, Macey (8 April 2015). "ALA unveils shortlist for 2015 Andrew Carnegie Medals for Excellence in Fiction and Nonfiction". American Library Association . Retrieved 7 January 2022. In Ireland, there is only one Nora – Nora Barnacle, James Joyce’s wife and muse. From its title outwards, Colm Tóibín’s new novel is all about Ireland and, in a larger sense, about an important contemporary Irish writer’s relationship with Joyce, whose work still throws such a long shadow across every angle of Irish literary life.

Reading Paulette Jiles' revenge western Chenneville, it's easy to remember she's a poet. She plays ... This idea of the personality as suddenly protean under the pressure of loss belongs fundamentally to the literature of grief because, of course, it belongs to the experience. Having never struggled for money, Kavanagh doesn’t understand Nora’s problems. Nora thinks Kavanagh is spoiled and privileged. In the meantime, Fiona needs money to finish her teacher training, and Aine doesn’t know how she’ll graduate university without money to pay tuition fees. Nora knows that, however much she despises Kavanagh, she needs this job to keep her family afloat. From one of contemporary literature's bestselling, critically acclaimed and beloved authors, a magnificent new novel set in Ireland, about a fiercely compelling young widow and mother of four, navigating grief and fear, struggling for hope.Slowly, his name ceased to be mentioned in the house. CS Lewis has a description of the same silence after his wife's death: "I cannot talk to the children about her. The moment I try, there appears on their faces neither grief, nor love, nor fear, nor pity, but the most fatal of non-conductors, embarrassment. They look as if I were committing an indecency. They are longing for me to stop. I felt just the same after my mother's death when my father mentioned her. I can't blame them. It's the way boys are." verifyErrors }}{{ message }}{{ /verifyErrors }}{{